Sara's Workshop - Aesop's Fable

For this workshop we were ask to prepare some content for the class to be able to work on creating the 10sec video. We were to pick a book or a poem. I came across a copy of Aesops fable on my bookshelf at home and decided to focus my attention on creating a depiction of the short fable.

The Labourer and The Nightingale

A labourer lay listening to a Nightingale’s song throughout the summer night. So pleased was he with it that the next night he set a trap for it and captured it. “Now that I have caught thee,” he cried, “thou shalt always sing to me.”

“We Nightingales never sing in a cage.” said the bird.

“Then I’ll eat thee.” said the labourer. “I have always heard say that a nightingale on toast is dainty morsel.”

“Nay, kill me not,” said the Nightingale; “but let me free, and I’ll tell thee three things far better worth than my poor body.” The labourer let him loose, and he flew up to a branch of a tree and said: “Never believe a captive’s promise; that’s one thing. Then again: Keep what you have. And third piece of advice is: Sorrow not over what is lost forever.” Then the song-bird flew away.

Buck, S. M. (2009). The big book of Aesop’s fables. United States: Lulu.com.

We imported all the files into Adobe AfterEffects and then slowly added the files into make them appear when we wanted onto the time line. To get the illusion of bubbling I repeated the pan image in different orders a few times to make it seem as if the bird was going to be cooked. I then added the music to the file before rendering and uploading to Vimeo

Aesops Fable - Nightingale and the Labourer Edit 1 from Jade Holmes on Vimeo.

Comments

Kandinsky's Experiment - Circle, Square, Triangle

Wassily Kandinsky, a student from Bauhaus, circulated a questionnaire trying to determine the universal response for the relationship between colour and form. The questionnaire consisted of three shapes, a triangle, square and circle, he recipient was then to colour each one with a different primary colour etc. Red, blue or yellow. His questionnaire received a remarkable about of the same response. This may because those in the school had the same theoretical ideals. They believed that the triangle was yellow, square to be red, and the circle to be blue. This product influenced many projects in the early days of Bauhaus. They were also to give an explanation where possible. I decided to do this myself deciding differently to the Kandinsky original consensus. I felt as if the triangle should be red as this is what most red warning sign are shaped and coloured like. The circle is to be yellow as it re...

Iconography

From the Greek word for 'image' and 'to write' The identification and description of what the image is. WJT Mitchell Iconography is about the rhetoric of images, that is it helps us know....... three different images can all mean the same. Peace: This something that can only be communicated if the artist and the audience share the same background meaning there will be a similar cultural meaning. Byzantine Portraiture Using symbols etc to signify more about the person. At this time they moved away from creating photograph-like paintings and used symbols and objects to add more to the painting. For example, the painting below could make you think the man is a shepherd due to the lamb around his neck and the staff. You may also believe the image is related to Christianity because of the cross, moving further we begin to think that may the man in the painting is meant to be a representation of Jesus. Metaphor A typ...

The Bechers & Idris Khan

During the Lecture two lots of work caught my eye, the first from The Bechers and the second from Idris Khan. Brent and Hilla Becher made photographic typologies as an archive of uniform photograph. The grid structure helps give symmetry, Each object is large and as important as any other. Consistency is key in the photographs of the gas containers, the light, scale and viewpoint all correspond. Their work was often placed in a grid of neutral white frames. Idris Khan was born in England, 1978, he completed his master in 2004 at the Royal College of Art in London. He works in sculpture, painting and photography. His ideas are based on a repeating process of creation and deletion, or even adding of new layers while retaining traces of what has gone before. He is well known for his large-scale works in which techniques of layering are used to arrive at what might be considered the essence of an image, and to create something entirely new through repe...

Jade Navan Caitlin

Search This Blog