Skip to main content

The Bechers & Idris Khan

During the Lecture two lots of work caught my eye, the first from The Bechers and the second from Idris Khan. 


Brent and Hilla Becher made photographic typologies as an archive of uniform photograph. The grid structure helps give symmetry, Each object is large and as important as any other. Consistency is key in the photographs of the gas containers, the light, scale and viewpoint all correspond. Their work was often placed in a grid of neutral white frames.



Idris Khan was born in England, 1978, he completed his master in 2004 at the Royal College of Art in London.  He works in sculpture, painting and photography. 

His ideas are based on a repeating process of creation and deletion, or even adding of new layers while retaining traces of what has gone before. He is well known for his large-scale works in which techniques of layering are used to arrive at what might be considered the essence of an image, and to create something entirely new through repetition and superimposition.

The reason for my interest is his work, is his photography manipulation series called ‘Idris Khan’s Every…. Bernd And Hilla Becher’ series appropriates the Bechers’ imagery and compiles their collections into single super-images. In this piece, multiple images of American-style gabled houses are digitally layered and super-imposed giving the effect of an impressionistic drawing or blurred film still.




Comments

Popular posts from this blog

Kandinsky's Experiment - Circle, Square, Triangle

Wassily Kandinsky, a student from Bauhaus, circulated a questionnaire trying to determine the universal response for the relationship between colour and form. The questionnaire consisted of three shapes, a triangle, square and circle, he recipient was then to colour each one with a different primary colour etc. Red, blue or yellow.  His questionnaire received a remarkable about of the same response. This may because those in the school had the same theoretical ideals. They believed that the triangle was yellow, square to be red, and the circle to be blue. This product influenced many projects in the early days of Bauhaus. They were also to give an explanation where possible.  I decided to do this myself deciding differently to the Kandinsky original consensus. I felt as if the triangle should be red as this is what most red warning sign are shaped and coloured like. The circle is to be yellow as it re...

James Sommerville Talk

So, everyone knows that’s the Coca-Cola formula is top secret; only two people in the world knowing how to make it. James Sommerville came to the University to do a talk on his work and career beginning from his start-up company at 19. He began the talk with a ‘thank you’ for attending and then lead on to John Lennon quote ‘When I was 5 years old, my mother always told me that happiness was the key to life. When I went to school, they asked me what I wanted to be when I grew up. I wrote down ‘happy’. They told me I didn’t understand the assignment, and I told them they didn’t understand life.” Therefore, he went into graphic design due to it being his passion. He went on to telling us every young designer will face challenges, his was the mass unemployment which forced him to begin his own company with partner Simon Needham called Attik. Beginning in Huddersfield 1986 much described by the name their office was a Attik Bedroom in Paddock. He said that as a huge compan...

Helvetica Movie

The Helvetica movie is a  documentary about typography, graphic design, and global visual culture.People who were interviewed in the film included :  Erik Spiekermann, Matthew Carter, Massimo Vignelli, Wim Crouwel, Hermann Zapf, Neville Brody, Stefan Sagmeister, Michael Bierut, David Carson, Paula Scher, Jonathan Hoefler, Tobias Frere-Jones, Experimental Jetset, Michael C. Place, Norm, Alfred Hoffmann, Mike Parker, Bruno Steinert, Otmar Hoefer, Leslie Savan, Rick Poynor, and Lars Müller. These are all influence designers which have helped more graphic design forward.  The interview with Massimo Vignelli was  my favourite part when he was showing us the work he did on American Airlines. Really inspired me as I am interested in rebranding, and creating something as timeless as he has.